ISE Music in Theory and Practice Volume 1
10th Edition
1260571025
·
9781260571028
© 2021 | Published: January 27, 2020
This best-selling text gives music majors and minors a solid foundation in the theory of music. It strengthens their musical intuition, builds technical skills, and helps them gain interpretive insights. The goal of the text is to instruct readers on…
Read More
Request Review Access
Receive via shipping:
- Colour, print bound version of the complete text
Preface Introduction: The Materials of Music: Sound and TimePart A: The Fundamentals of Music 1 Notation2 Scales, Tonality, Key, Modes3 Intervals and Transposition4 ChordsPart B: The Structural Elements of Music 5 Cadences and Nonharmonic Tones6 Melodic Organization7 Texture and Textural Reduction8 Species Counterpoint9 Voice Leading in Four-Part Chorale Writing10 Harmonic Progression and Harmonic Rhythm11 The Dominant Seventh Chord12 The Leading-Tone Seventh Chords13 Nondominant Seventh Chords14 Secondary Dominants and Leading-Tone Chords15 Modulation16 Two-Part (Binary) Form17 Three-Part (Ternary) FormAppendix A Summary of Part-Writing PracticesAppendix B Macro Analysis SymbolsAppendix C Popular Music Chord SymbolsAppendix D Expression MarksAppendix E Instrument Ranges, Transpositions, and Foreign NamesAppendix F HistoryCreditsIndexes
Musical ExamplesSubject Index
Part A: The Fundamentals of Music 1 Notation2 Scales, Tonality, Key, Modes3 Intervals and Transposition4 ChordsPart B: The Structural Elements of Music 5 Cadences and Nonharmonic Tones6 Melodic Organization7 Texture and Textural Reduction8 Species Counterpoint9 Voice Leading in Four-Part Chorale Writing10 Harmonic Progression and Harmonic Rhythm11 The Dominant Seventh Chord12 The Leading-Tone Seventh Chords13 Nondominant Seventh Chords14 Secondary Dominants and Leading-Tone Chords15 Modulation16 Two-Part (Binary) Form17 Three-Part (Ternary) FormAppendix A Summary of Part-Writing PracticesAppendix B Macro Analysis SymbolsAppendix C Popular Music Chord SymbolsAppendix D Expression MarksAppendix E Instrument Ranges, Transpositions, and Foreign NamesAppendix F HistoryCreditsIndexes
Musical ExamplesSubject Index
2 Scales, Tonality, Key, Modes3 Intervals and Transposition4 ChordsPart B: The Structural Elements of Music 5 Cadences and Nonharmonic Tones6 Melodic Organization7 Texture and Textural Reduction8 Species Counterpoint9 Voice Leading in Four-Part Chorale Writing10 Harmonic Progression and Harmonic Rhythm11 The Dominant Seventh Chord12 The Leading-Tone Seventh Chords13 Nondominant Seventh Chords14 Secondary Dominants and Leading-Tone Chords15 Modulation16 Two-Part (Binary) Form17 Three-Part (Ternary) FormAppendix A Summary of Part-Writing PracticesAppendix B Macro Analysis SymbolsAppendix C Popular Music Chord SymbolsAppendix D Expression MarksAppendix E Instrument Ranges, Transpositions, and Foreign NamesAppendix F HistoryCreditsIndexes
Musical ExamplesSubject Index
4 ChordsPart B: The Structural Elements of Music 5 Cadences and Nonharmonic Tones6 Melodic Organization7 Texture and Textural Reduction8 Species Counterpoint9 Voice Leading in Four-Part Chorale Writing10 Harmonic Progression and Harmonic Rhythm11 The Dominant Seventh Chord12 The Leading-Tone Seventh Chords13 Nondominant Seventh Chords14 Secondary Dominants and Leading-Tone Chords15 Modulation16 Two-Part (Binary) Form17 Three-Part (Ternary) FormAppendix A Summary of Part-Writing PracticesAppendix B Macro Analysis SymbolsAppendix C Popular Music Chord SymbolsAppendix D Expression MarksAppendix E Instrument Ranges, Transpositions, and Foreign NamesAppendix F HistoryCreditsIndexes
Musical ExamplesSubject Index
5 Cadences and Nonharmonic Tones6 Melodic Organization7 Texture and Textural Reduction8 Species Counterpoint9 Voice Leading in Four-Part Chorale Writing10 Harmonic Progression and Harmonic Rhythm11 The Dominant Seventh Chord12 The Leading-Tone Seventh Chords13 Nondominant Seventh Chords14 Secondary Dominants and Leading-Tone Chords15 Modulation16 Two-Part (Binary) Form17 Three-Part (Ternary) FormAppendix A Summary of Part-Writing PracticesAppendix B Macro Analysis SymbolsAppendix C Popular Music Chord SymbolsAppendix D Expression MarksAppendix E Instrument Ranges, Transpositions, and Foreign NamesAppendix F HistoryCreditsIndexes
Musical ExamplesSubject Index
7 Texture and Textural Reduction8 Species Counterpoint9 Voice Leading in Four-Part Chorale Writing10 Harmonic Progression and Harmonic Rhythm11 The Dominant Seventh Chord12 The Leading-Tone Seventh Chords13 Nondominant Seventh Chords14 Secondary Dominants and Leading-Tone Chords15 Modulation16 Two-Part (Binary) Form17 Three-Part (Ternary) FormAppendix A Summary of Part-Writing PracticesAppendix B Macro Analysis SymbolsAppendix C Popular Music Chord SymbolsAppendix D Expression MarksAppendix E Instrument Ranges, Transpositions, and Foreign NamesAppendix F HistoryCreditsIndexes
Musical ExamplesSubject Index
9 Voice Leading in Four-Part Chorale Writing10 Harmonic Progression and Harmonic Rhythm11 The Dominant Seventh Chord12 The Leading-Tone Seventh Chords13 Nondominant Seventh Chords14 Secondary Dominants and Leading-Tone Chords15 Modulation16 Two-Part (Binary) Form17 Three-Part (Ternary) FormAppendix A Summary of Part-Writing PracticesAppendix B Macro Analysis SymbolsAppendix C Popular Music Chord SymbolsAppendix D Expression MarksAppendix E Instrument Ranges, Transpositions, and Foreign NamesAppendix F HistoryCreditsIndexes
Musical ExamplesSubject Index
11 The Dominant Seventh Chord12 The Leading-Tone Seventh Chords13 Nondominant Seventh Chords14 Secondary Dominants and Leading-Tone Chords15 Modulation16 Two-Part (Binary) Form17 Three-Part (Ternary) FormAppendix A Summary of Part-Writing PracticesAppendix B Macro Analysis SymbolsAppendix C Popular Music Chord SymbolsAppendix D Expression MarksAppendix E Instrument Ranges, Transpositions, and Foreign NamesAppendix F HistoryCreditsIndexes
Musical ExamplesSubject Index
13 Nondominant Seventh Chords14 Secondary Dominants and Leading-Tone Chords15 Modulation16 Two-Part (Binary) Form17 Three-Part (Ternary) FormAppendix A Summary of Part-Writing PracticesAppendix B Macro Analysis SymbolsAppendix C Popular Music Chord SymbolsAppendix D Expression MarksAppendix E Instrument Ranges, Transpositions, and Foreign NamesAppendix F HistoryCreditsIndexes
Musical ExamplesSubject Index
15 Modulation16 Two-Part (Binary) Form17 Three-Part (Ternary) FormAppendix A Summary of Part-Writing PracticesAppendix B Macro Analysis SymbolsAppendix C Popular Music Chord SymbolsAppendix D Expression MarksAppendix E Instrument Ranges, Transpositions, and Foreign NamesAppendix F HistoryCreditsIndexes
Musical ExamplesSubject Index
17 Three-Part (Ternary) FormAppendix A Summary of Part-Writing PracticesAppendix B Macro Analysis SymbolsAppendix C Popular Music Chord SymbolsAppendix D Expression MarksAppendix E Instrument Ranges, Transpositions, and Foreign NamesAppendix F HistoryCreditsIndexes
Musical ExamplesSubject Index
Appendix B Macro Analysis SymbolsAppendix C Popular Music Chord SymbolsAppendix D Expression MarksAppendix E Instrument Ranges, Transpositions, and Foreign NamesAppendix F HistoryCreditsIndexes
Musical ExamplesSubject Index
Appendix D Expression MarksAppendix E Instrument Ranges, Transpositions, and Foreign NamesAppendix F HistoryCreditsIndexes
Musical ExamplesSubject Index
Appendix F HistoryCreditsIndexes
Musical ExamplesSubject Index
Indexes
Musical ExamplesSubject Index
This best-selling text gives music majors and minors a solid foundation in the theory of music. It strengthens their musical intuition, builds technical skills, and helps them gain interpretive insights. The goal of the text is to instruct readers on the practical application of knowledge. The analytical techniques presented are carefully designed to be clear, uncomplicated, and readily applicable to any repertoire.
The two-volume format ensures exhaustive coverage and maximum support for students and faculty alike. Volume I serves as a general introduction to music theory while Volume II offers a survey of the theoretical underpinnings of musical styles and forms from Gregorian Chant through the present day. The supplemental instructor's materials provide clear-cut solutions to assignment materials. Music in Theory and Practice is a well-rounded textbook that integrates the various components of musical structure and makes them accessible to students at the undergraduate level.
The two-volume format ensures exhaustive coverage and maximum support for students and faculty alike. Volume I serves as a general introduction to music theory while Volume II offers a survey of the theoretical underpinnings of musical styles and forms from Gregorian Chant through the present day. The supplemental instructor's materials provide clear-cut solutions to assignment materials. Music in Theory and Practice is a well-rounded textbook that integrates the various components of musical structure and makes them accessible to students at the undergraduate level.